Collaborates with art centers, film and theatre festivals at home and abroad as a curator and participant of art projects. Promotes the oeuvre of Franciszka and Stefan Themerson, cooperates with the Themerson Archive in London. Runs an independent publishing press Gaberbocchus in Poland. Worked with the Quay Brothers at their new film Inventorium of Traces (assistant director, music improvisations). Together with Marcin Gizycki she produced a documentary Alfred Schreyer from Drohobycz. Her artistic association with Koji Kamoji resulted in creating soundscapes to his exhibition “Monk” at Appendix Gallery (2011) and two exhibitions in 2012 (Podkowa Lesna and the Entropia Gallery in Wroclaw). In 2012 curated the 2nd Inernational Festival of Ephemeral Art in Sokolovsko and two exhibitions presenting the Themersons oeuvre in Plock, screenings of Polish animation in Skibbereen (Ireland) and Belarus. Her translations include literature, contemporary art and philosophy (Wittgenstein, Russell, Themerson, Czechowicz). Writes, takes photographs and listens to music.

Festival in Mogilev in Belarus, which takes place on September each year, this time was organized for the fifteenth time. 200 films from 21 countries were candidate to be shown on the Festival (from Azerbaijan, Belarus, Bulgaria, Germany, Georgia, India, Italy, Kazakhstan, China, Lithuania, Latvia, Poland, Portugal, Russia, Taiwan, Ukraine, Finland, France, Czech Republic, Switzerland, Estonia).

"I saw mice burying a cat" directed by Dmitry Geller, Jonas Odell's "Tussilago", Michèle Lemieux's "Here and the Great Elsewhere", Thomas Renoldner's "Sunny Afternoon", Zbigniew Czapla's Paperbox, Svilen Dimitrov's "Rew Day" and Anca Damian's "Crulic – The Path to Beyond".

„I have been running multimedia foundation course at Warsaw School of Information Technology since 2010. I teach a group of ca.160 students, most of them without experience in animation and film editing programmes. [...]"

Izabella Plucińska studied at The Polish National Film School and Academy of Fine Arts in Łódź and later took up studies at Film School in Potsdam, Germany (2003). Plucińska obtained a scholarship from DAAD and the Nipkow Program in Berlin. Her diploma film project JAM SESSION won a Silver Bear at the Berlin Film Festival 2005.

The course in animation offered by Luzern UASA School of Art and Design is the only one of its kind available in Switzerland. The focus of this course Is on cinematic design and coaching in professional production techniques. A creative and practical training alms to give students the opportunity both to develop their own artistic cinematic language and to acquire the technical knowledge they will need for their future careers.

Shenkar College of Art and Design was founded in 1970. Its uniqueness as an academic institution lies in close ties between the Faculty of Engineering and Faculty of Design. Among the graduates of the Faculty of Design are many internationally recognized designers. Our film programme presents graduation films of 2011/2012 realized as part Illustration and Animation programme of Visual Communication Deparment headed by prof. Itamar Daube.

Kevin McTurk's newest production is a combination of a movie and real-time puppet theatre's performance. It's about Victorian ghost-hunter, alchemist and scientist, who has devoted his life to the exploration of the supernatural.

In the spirit of time, he turned his back deliberately to classic filmmaking. His films are collages that combine photographic images and image-by-image technique. His critical films of the eighties dealing with social injustice become more personal with an introspective view of the world. Van Dijk continually searches for new forms and techniques. He uses cut-outs, rotoscopy, pixilation or live action combined with animation.